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RECOMMENDED ARTICLES
Diana Copperwhite: The Clock Struck Between Time
by Robert R. ShaneJUNE 2019 | ArtSeen
The question one asks while experiencing Diana Copperwhite’s new paintings is: When are they happening? As the exhibition title, The Clock Struck Between Time suggests, the artwork places us in an ambiguous temporal space, drifting from the present moment into a memory still struggling to take form.
Algeria: A Historic and Ambivalent Movement
by Nedjib Sidi Moussa translated by Janet KoenigMAY 2019 | Field Notes
The popular uprising in Algiers on Friday, February 22 surprised most observers, starting with those who had rhapsodized over the regime’s stability since the emergence of the “Arab Spring,” or who had emphasized the passivity of a people traumatized by colonial violence, by authoritarian rule, by the civil war in the 1990s. But Algerian society was not cut off from international capitalism or from its regional environment.
My Struggle: Book Six by Karl Ove Knausgaard
by Nathan KnappMAY 2019 | Books
Considered as a whole, the six volumes of Karl Ove Knausgaard’s 3,600-page work of autofiction, are not of equal quality.
Haegue Yang: Tracing Movement
by Michael EbyMAY 2019 | ArtSeen
One difference between a diagram and a tracing is their relationship to abstraction. To diagram is to anticipate the production of something new, and a diagram’s information can be read selectively. To trace is to attempt to capture the totality of a formation as something absent.
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