Poetry
Hommage a Ponge
Contributor
Charles NorthCHARLES NORTH's recent publications include Elevenses, a limited edition collaboration with the artist Trevor Winkfield (Granary Books, 2017), and States of the Art: Selected Essays, Interviews, and Other Prose 1975-2014 (Pressed Wafer, 2017). His eleventh book of poems, North of the Charles: Early and Uncollected Poems, is due from Hanging Loose this fall.
RECOMMENDED ARTICLES
Things on Walls
By Darla MiganMAY 2020 | ArtSeen
In what now seems like prescient thinking borne out of a creative collaboration, the exhibition Things on Walls at Affective Care—an operating medical office specializing in psycho-interventionist treatment—explores sculpture in a variety of mediums, including ceramics, wood, cast paper, resin, metal, and video. Organized by New Discretions, a curatorial project by Benjamin Tischer of Invisible-Exports, the show includes 17 works that play in the overlaps of “inner” life understood as both designed physical space and psycho-sensory interiority.
"All These Things Are Connected"
G.M. TAMÁS with Pavlos RoufosOCT 2019 | Field Notes
In August 2019, a radical group in Hamburg invited G.M. Tamás and Pavlos Roufos to have a public discussion about nationalism, sovereignty, and post-fascism. After the talk, Roufos sat down with Tamás and had the following conversation.
Zillions of Things Become One Thing: CATHERINE CHRISTER HENNIX with Marcus Boon
By Marcus BoonSEPT 2020 | Music
For this interview, conducted remotely from her studio in Istanbul where she currently resides, Hennix wanted to talk about music as a sonic or vibrational practice, and the ways that in the coronavirus-related lockdown, the enforced stasis that we face could become the site of new kinds of discovery and recognition.
Talking Things Through: Lucy Parker's Solidarity
By Matt TurnerSEPT 2019 | Film
With nonfiction films that deal with a political subject, form can often be a secondary concern. This is particularly true of films about activist movements, wherein the individual depicting the organization can become so embroiled in its particularities that the resulting film ends up a mere record, or worse, a recounting, a mass of information and little else.
