by William Corwin
MAY 2019 | ArtSeen
Three canvases hang as looming, watchful presences in New York-Centric, an exhibition at the Art Students League of New York curated by James Little: Al Lovings stolid New Hexagon (1996), Dan Christensens Jarrito, (1997) and Ed Clarks sensual and lugubrious X-form Untitled (Bastille Series) (1991).
by Daniel S. Palmer
FEB 2019 | Editor's Message
New York City is a place of perpetual change, but perhaps this has its limits. I’ve only lived here for about twelve years, but the past two or three have felt particularly different and especially precarious for the arts and for artist communities. Accordingly, this feels like the perfect moment and venue to bring together a group of New Yorkers to reflect on the changes that have happened to this city in recent years, and to discuss how they have impacted the creative sector.