By Jenna Crowder
MAR 2020 | Critics Page
I love desire lines. These rebellious trailsworn paths across the land made by repeated, prolonged, and collective actionsignify, for me, modes of subversion and refusal.
By William Corwin
MAY 2019 | ArtSeen
Three canvases hang as looming, watchful presences in New York-Centric, an exhibition at the Art Students League of New York curated by James Little: Al Lovings stolid New Hexagon (1996), Dan Christensens Jarrito, (1997) and Ed Clarks sensual and lugubrious X-form Untitled (Bastille Series) (1991).