Tragic Strip: Comic Con Diary
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T. MotleyT. Motley is a core contributor to Cartozia Tales, a fantasy mapjam comic for all ages: cartozia.com. He blogs at cartooniologist.blogspot.com and yourdailydoodle.tumblr.com
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New York Cycle, a Diary
by Catherine Cusset, an excerpt translated from the French by Armine Kotin MortimerDEC 18-JAN 19 | Fiction
Fifteen years later, New York has changed. The twin towers no longer fill the view when you cycle down Fifth Avenue or rollerblade toward Downtown beside the Hudson. The East Village, Alphabet City, and the Lower East Side have gentrified. The Williamsburg Bridge has been repaired and now leads on both sides to neighborhoods inhabited by trendy young people.
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In Ixtli in Yollotl, We the People
by Jonelle Mannion
JUNE 2018 | ArtSeen
In Ixtli in Yollotl, We the People is an exhibition of work made over the past two decades by Mexican artist and mechanical engineer Fernando Palma Rodríguez. Each of the mechanical-alchemical sculptures in the exhibition is rigged with light or ultrasonic sensors to be activated by observing bodies, which thereby become interacting bodies.
What Do Images Do: Looking Through Harun Farocki
by Lucia CocoOCT 2018 | Film
Seeing is a recurring subject within the work of Harun Farocki (1944 – 2014), as witnessed by the titles of many of his films and installations, such as: Before your Eyes – Vietnam (1982), An Image (1983), As You See (1986), Images of the World and the Inscription of War (1988), Videograms of a Revolution (1992), Still Life (1997), I Thought I was Seeing Convicts (2000), Gefängisbilder – Prison Images (2000), and Eye/Machine I – III (2000 – 2003).
In the Field: Sharon Lockhart, James Benning, and People
by Steffanie LingAPR 2018 | Film
In a conversation between filmmakers James Benning and and Sharon Lockhart after a screening of their films L. Cohen (2017) and Rudzienko (2014), Benning starts things off with a little joke. He sets it up. Two planets. The first planet says, “I have people,” and the second responds, “Don’t worry, that will pass.” The joke is over. The audience laughs. We can derive humor from the idea (the fact?) that the human race is a blight on any environment unfortunate enough to appear bountiful before us, but I suspect that Sharon Lockhart actually kind of likes people.
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