By Shehab Awad
OCT 2019 | ArtSeen
For Meriem Bennanis first solo exhibition at CLEARING, the Brooklyn-based Moroccan artist has transformed the gallery into something like a spaceship.
By Elizabeth Bishop
SEPT 2020 | Editor's Message
An intertextual installation of joy to uplift the heartbeat that keeps us alive. Installation as party as mode of survival counteracting narratives of bodily shame and poverty porn, of marginalized people living only in suffering. COVID-19 civil disunity, writing through quarantine in NYC.