Meriem Bennani: Party on the CAPS

By Shehab Awad

OCT 2019 | ArtSeen

For Meriem Bennani’s first solo exhibition at CLEARING, the Brooklyn-based Moroccan artist has transformed the gallery into something like a spaceship.

Crossing the Line: Stefanie Batten Bland's Look Who's Coming to Dinner

By Gillian Jakab

NOV 2019 | Dance

As an admitted Francophile, I’m always drawn to the FIAF’s annual Crossing the Line festival. But as this year’s programming continues to prove this is not la francophilie de votre grand-mere. (If you want Bordeaux and brie in berets by the Seine… who can blame you, but this is not that kind of party).

Comfort

by Saadat Hasan Manto, translated from the Urdu by Matt Reeck and Aftab Ahmad

FEB 2020 | Fiction

This happened eight years ago to the day. My friend Bisheshar Nath’s wedding party was staying in the upscale marriage hall opposite Hindu Sabha College. There were around three hundred fifty guests who, after listening to the performances of famous prostitutes from Amritsar and Lahore, were sound asleep on the floor or in cots in the sprawling building’s many rooms.

LARISSA VELEZ-JACKSON with Mike Stinavage

JUL-AUG 2019 | Dance

Since I clasped hands and danced with an elder named Marta during the dance party that ends Zapatografía/Shoegraphy, I’ve kept an eye on the choreographer: interdisciplinary artist Larissa Velez-Jackson. On an afternoon threatened by thunderstorms, we sat at a street café and spoke about injury/healing, working-artistry, and her Star Crap Method as components of her past products and ongoing processes.