Poetry
As A Miner
Contributor
Ann StephensonAnn Stephenson's chapbooks include Adventure Club (Insurance Editions) and Wirework (Tent Editions). This fall she will be publishing Carol Szamatowicz's chapbook, Kit Carson. Some recent poems have appeared in Across the Margin, Ladowich and The Recluse as well as the anthology Like Musical Instruments: 83 Contemporary American Poets by John Sarsgard and Larry Fagin (Broadstone Books). She was born and raised in Georgia and lives and works in New York City.
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from A Season
By Michael Joseph WalshDEC 19-JAN 20 | Poetry
Michael Joseph Walsh is a Korean American poet. He is co-editor for APARTMENT Poetry, and his poems have appeared in DIAGRAM, DREGINALD, Fence, FOLDER, jubilat, and elsewhere. He lives in Denver.
three
By Claire MeuschkeJUL-AUG 2019 | Poetry
Claire Meuschke is the author of Upend (Noemi Press 2020). She works at Las Milpitas Community Farm in Tucson, AZ and is an assistant poetry editor for DIAGRAM. In the fall, she will begin her time as a Wallace Stegner Fellow where she will continue archival research on San Francisco Chinatown and Alaska Native heritage.
Mic Check
By Rob GerhardtDEC 19-JAN 20 | Field Notes
I had just stepped out of the subway station when my cell phone rang. It was my father. “I saw on the news that there are protesters gathering in Manhattan. Be careful getting home.” “OK, Dad. Thanks for letting me know. I’ll be careful.” I put my phone back in my pocket, reached for my cameras and felt the weight of them on my neck as I slipped their straps over my head. I adjusted my camera bag on my hip, turned the collar up on my old green army jacket, and took a deep breath as I faced the mass of protesters in front of me who had gathered in the chilly night air at Union Square.
Haegue Yang: Tracing Movement
By Michael EbyMAY 2019 | ArtSeen
One difference between a diagram and a tracing is their relationship to abstraction. To diagram is to anticipate the production of something new, and a diagram’s information can be read selectively. To trace is to attempt to capture the totality of a formation as something absent.
