Dead Black Men
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Paul KillebrewPaul Killebrew was born and raised in Nashville, Tennessee, where he currently works for a judge.
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Editor's Note:
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By a curious coincidence, 2017 marks a pair of anniversaries: that of the publication of the first volume of Karl Marx’s Capital 150 years ago, and that of the October Revolution which in 1917 ushered in the USSR.
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I’m twelve at the neighborhood block party. The band jams. Bales of hay are scattered around a little platform stage. Kids sway around the edges. Grown ups laugh and drink. Little kids run and race their bikes, jacked up on cotton candy.
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The Reception is this hypnotic dance theater piece about an eerily unraveling party where guests nightmarishly repeat stories and gestures, stopping short when they hear the room creak, like ship rigging ready to snap. I fell in love with The Reception, felt lucky to watch it develop over three years.
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