Poetry
Le Cupcake; Castaway
Contributor
Dana WardDana Ward is the editor of Cy Press. He lives in Cincinnati, OH.
RECOMMENDED ARTICLES
Joyelle McSweeney’s Toxicon and Arachne and Rachel Eliza Griffiths’s Seeing the Body: Poems
By John DominiJUNE 2020 | Books
Together, Joyelle McSweeney’s Toxicon and Arachne and Rachel Eliza Griffiths’s Seeing the Body: Poems go a long way towards providing this dark moment its definitive accompaniment. More astonishing still, the poets bring off triumphs distinctly different. You’d never mistake McSweeney’s heartbroken stammer for Griffiths’s blue wail, yet either outcry will set your back-hairs prickling. Either could wind up a prizewinner—though good luck choosing between them—and in any case the texts will go on providing their unique, adult consolations for whatever sorrows lie in wait.
They Don’t Want Us to Feel
By Marwa HelalAPR 2019 | Critics Page
The mind’s wet paint. Your ears tingle with knowing. Your scalp—it comes alive. The transfer is complete.
Walking: Foot as Conduit
By Brooke WilliamsMAR 2020 | Critics Page
Is there a force coming up out of the earth that we absorb through our feet while walking? This question has been vapor, been a ghost, been there invisible throughout my walking life. We’d walked, following Richard Jefferies, the 19th-century nature-mystic who came here before, to White Horse Hill and standing above on a green hill that at that moment had been turned into an island, an ephemeral grey sea washing in around its base. Into the green turf carpeting White Horse Hill is cut the Uffington Horse. One hundred meters long, we walked slowly, mindfully from tail-tip to head, dropping between its ears, to stand in its table-like eye where for the first time real words condensed onto my tongue and I said them aloud. What Richard Jefferies knew he absorbed directly from the earth through the bottom of his feet as he walked.
Rona Pondick
By Pac PobricDEC 18-JAN 19 | ArtSeen
The distended head that rests on a small rectangular base on the floor is polished and smooth. From behind, the elongated form and vaguely twisted neck look entirely alien but for two clipped human ears that perch on either side, just where they should be. Slip around to the front, and now it’s a human head for sure, with a closed mouth and eyes and a sharp nose that cuts into a slot below the brow.
