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Claudia La RoccoCLAUDIA LA ROCCO writes about performance for the New York Times and is the founder of thePerformanceClub.org, which won a 2011 Arts Writers Grant. She is a member of Off The Park press, where she is editing an anthology of poems by painters. She is on the faculty of the School of Visual Art's graduate program in Art Criticism and Writing.
RECOMMENDED ARTICLES
Stanley Whitney: In the Color
By Tom McGlynnDEC 18-JAN 19 | ArtSeen
In Stanley Whitney’s magisterially unfolding show at Lisson Gallery’s dual spaces in Chelsea, the artist presents a cycle of paintings and drawings that resemble a calendar of the conscious, a notational form of painting that checks off time as a series of vividly experienced partitions.
The 2017 Whitney Biennial
By Amy OntiverosMAY 2017 | Art
The 2017 Whitney Biennial traces an immeasurable circumference around our contemporary moment, looking for the “edge of an irregularly shaped idea,” according to co-curator Mia Locks—who, together with Whitney Associate Curator Christopher Y. Lew, assertively orchestrated a perpetually shifting fugue of sixty-three artists and collectives for its seventy-eighth edition.
Stanley Whitney: Sketchbook
By Megan N. LibertyNOV 2017 | Art Books
Known as an abstract painter for his bold use of gridded color swatches, Stanley Whitney crowds his drawings with an abundance of line, as seen in his September-October exhibition of drawings at Lisson Gallery in Chelsea.
2019 Whitney Biennial
By Alex JenJUNE 2019 | ArtSeen
The 57 artists in the galleries and 18 represented in performance and film don’t crowd their work with pointed critiques of racism, sexism, misogyny, and colonialism, but instead invite viewers into their respective worlds and identities.
