Poetry
In the Still Cave of the Witch Poesy
Geoffrey Cruickshank-Hagenbuckle’s new book of poems is Close to the Art of Those Fearless at Sea, available from BlazeVox.org. He is the publisher of D Press books and the editor of Dear Bear.
Contributor
Geoffrey Cruickshank-HagenbuckleGeoffrey Cruickshank-Hagenbuckle is an American poet and art critic. He lives in Paris and New York City.
RECOMMENDED ARTICLES
In The Hearth’s Happy Life, Kathy Ng Morphs Octopus Porn into Visions of Destruction—and Renewal
By Kally PatzSEPT 2022 | Theater
Kally Patz profiles Kathy Ng, discussing how the playwright’s upbringing in Hong Kong and malleable interpretation of the body fueled her chaotic-good play, Happy Life
by Kally Patz
John Coplans: La Vie des Formes
By Joe FyfeOCT 2022 | ArtSeen
In one of the more instructive passages in Minima Moralia, Theodor Adorno observes that well-made texts are like spider’s webs, “Metaphors flitting hastily through them become their nourishing prey”: When things begin to click with your subject, everything of use that gets near it gets stuck in it. One afternoon, reading The Waterfall by the English writer Margaret Drabble she described a real place in England called the Gordale Scar, a roofless cave with an interior waterfall, “a lovely organic balance of shapes and curves, a wildness contained within a bodily limit.” I thought of my ongoing research project on John Coplans (1920–2003). His life and work was very much a wildness contained within a bodily limit.
Jacolby Satterwhite: A Feeling of Healing
By Alice GodwinDEC 22–JAN 23 | ArtSeen
There is a chill in the air of a disused nightclub in Roskilde, about thirty kilometers outside of Copenhagen. The floors are sticky, as if the dance floor has only just been vacated. For the American artist Jacolby Satterwhite, the club is “a strange cave, where intellectuals come together when they are the most unintellectual, but [also] the most beautiful and kindred.”
Death of a Theater
By Harrison HillJUNE 2022 | Theater
On the fortieth anniversary of the destruction of two legendary Broadway theaters, the Rail takes readers to the moment of demolition, spotlighting the activists who tried to stop it.
