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Though one might assume a dance program titled Sourcing Stravinsky would focus on the life, work or ideas of the renowned composer, it was by no means the stipulation of Annie-B Parson, the program’s curator.
Last summer the dance world was set ablaze when Tere O’Connor sent an oil-soaked letter to The New Yorker.
“Why am I always on a fast train or an airplane?” composer and songwriter Rufus Wainwright muses in his melancholy “Oh What a World,” set to the rhythms of Ravel’s Bolero.
For Meg Stuart, the grass really is greener on the other side.