Zillions of Things Become One Thing: CATHERINE CHRISTER HENNIX with Marcus Boon

By Marcus Boon

SEPT 2020 | Music

For this interview, conducted remotely from her studio in Istanbul where she currently resides, Hennix wanted to talk about music as a sonic or vibrational practice, and the ways that in the coronavirus-related lockdown, the enforced stasis that we face could become the site of new kinds of discovery and recognition.

The Saddest Thing Is That I Have Had to Use Words: A Madeline Gins Reader

By Megan N. Liberty

APRIL 2020 | Art Books

Including a full facsimile reproduction of Madeline Gins’s out-of-print 1969 novel WORD RAIN, as well as previously unpublished essays and poems, this collection illustrates Gins’s ability to capture the embodied experience of reading and celebrates her mastery as an experimental writer.

Louise Fishman: An Hour is a Sea

By Hearne Pardee

MAY 2020 | ArtSeen

Originally intended for Frieze New York, the works went online due to current events, but one can’t escape the sense that the digital format, while denying us the materiality so vital in Fishman’s work, enhances our experience in other ways, enlarging the paintings’ scope as if to compensate for their physical absence.

Is there such a thing as distance?

By Martha Tuttle

DEC 19-JAN 20 | Critics Page

I read a few months ago that the pre-Socratic philosopher Thales of Miletus believed that our world had emerged from mud, and back to mud it would return.