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Joseph Kosuth a labyrinth into which I can venture










Contributor
Joan WaltemathJOAN WALTEMATH is an artist who lives and works in New York City. She writes on art and has served as an editor-at-large of the Brooklyn Rail since 2001. She has shown extensively and her work is in the collections of the Harvard University Art Museums, the National Gallery of Art, the Hammer Museum and the Museum of Modern Art. She is currently the Director of the LeRoy E. Hoffberger School of Painting at MICA.
RECOMMENDED ARTICLES

Sean Scully: PAN
By Robert C. MorganJUNE 2019 | ArtSeen
I am not sure about the meaning of PAN, the title given to this exhibition by Sean Scully, but the Greek origin of the word would appear to suggest sexual prowess. On another level, it might serve as an indirect allusion to Hellenic architecture, which was influential on the formation of his signature style.

Joiri Minaya: Im here to entertain you, but only during my shift
By Rachel RemickOCT 2020 | ArtSeen
Im not the motherland. Im not a landscape. Im framing this conversation. Im not a flower. Im only here to work, declares a woman whose monologue acts as the soundtrack to video documentation of performances from 2017 by artist Joiri Minaya. The womans refusal of identities which connect the feminine to the landscape is emblematic of Minayas exploration of the female subject, in particular the construction of the tropical woman.
Billie Zangewa: Wings of Change
By Ann C. CollinsNOV 2020 | ArtSeen
Parenthood is essentially a temporary arrangement, but one that can provide an abundance of joy even in the most ordinary moments. Billie Zangewa refines this muddle of emotion in eight fabric collages that make up her current exhibition.
The Numbers Must Have Context
By Natalie BakerMAY 2020 | Field Notes
Viruses do not know logic other than replication. But they are deeply attracted to distinct patterns of human behavior.