Poetry
Vertigo, Heterotopia
Contributor
Joan LarkinJoan Larkin's My Body: New and Selected Poems is forthcoming in early 2007 from Hanging Loose Press. She lives in Brooklyn and currently teaches poetry writing in the low-residency M.F.A. program at New England College.
RECOMMENDED ARTICLES
Peter Halley: Heterotopia II
By William CorwinDEC 19-JAN 20 | ArtSeen
Fortress-like, Peter Halley’s newest exhibition, Heterotopia II (2019), immediately presents a situation of pleasure postponed. The bright, DayGlo green and yellow exterior walls of his temple-like structure offer only narrow slits and doorways through which to glimpse the throbbing color within.
The Eyes of Another: “Tokyo Stories” at the Japan Society
By Jaime GrijalbaNOV 2019 | Film
Inked in 1951, the Treaty of San Francisco specified the compensations and conditions Japan had to comply with following its defeat in World War II, essentially marking the nation’s first steps toward regaining sovereignty, but it also affected the cultural landscape of the country.
Vertigo Dance Company: One. One & One
By Jen GeorgeAPR 2019 | Dance
The Vertigo dancers execute movement like a well-organized mission, with confidence and commitment. As one soloist stumbles down the stage's diagonal, her colleagues plait her hair, swooping under and over each other to manipulate their taut sections of the braid.
Gary Simmons: Screaming into the Ether
By William CorwinJUL-AUG 2020 | ArtSeen
In this unnatural movement of dread and looming disaster lies the artist’s characterization of racial degradation lurking in the seemingly innocent faces of impish animations of the 1930s. The centerpiece of the exhibition, a cheerful, toothy cowpoke stroking the ivories in Piano Man (2020) dissolves in front of our eyes, slowly and painfully torn apart by the artist’s dragging hand and inevitable vectors of force pulling in opposite directions.
