Poetry
Faith is a Marionette
Contributor
Simona SchneiderSimona Schneider is a contributing translator of Daniil Kharms: Selected Works, edited by Matvei Yankelevich.
RECOMMENDED ARTICLES
A View from the Wings: My Fair Lady
By Ginny MohlerMAY 2018 | Theater
After twenty-five years, My Fair Lady is back on Broadway.
Feliciano Centurión: Abrigo
By Susan BreyerMAY 2020 | ArtSeen
One work in the final gallery contains the image of a small pink cross, above which Centurión embroidered the phrase, “renazco a cada instante,” “I am reborn at every moment” (1995). To feel renewed in deep crisis by faith, creation, and love. To be carried forward by small joys, to allow these joys the fullness and purity of our appreciation. This is art, personified.
Can’t Look Away: Ben Ehrenreich’s Desert Notebooks
By Erika HowsareJUL-AUG 2020 | Books
Western culture has viewed time as a linear march toward the future—a narrative with a solid beginning in classical antiquity and a foreseeable end, or at least a goal: an ideal society based on reason and achieved via technical advancement. It’s this “faith in progress” that Ehrenreich wants to attack.
Suzanne Bocanegra: Wardrobe Test
By Amanda GluibizziNOV 2019 | ArtSeen
Throughout Wardrobe Test, we encounter women trying things on: costumes, other voices, new or different personae. And yet despite, or even through, this garb, we also witness glimpses of what we have to assume or hope to believe is the person within, the compassionate collaborator and mourner, the artist as empath, the woman of faith above all else.
