More Articles...
Print
Dispatch
by David Levi Strauss
Leon Golub (detail) White Squad V, 1984 Acrylic on linen. Eli Broad Family FoundationThis is a clear infraction. The signal-to-noise barrier has been repeatedly violated in this sector. Irrational dogs roam the perimeter, barking in time. Do not abandon your vehicle; it will only make it harder for you. We will continue to entertain proposals from interested parties, but all resistance will eventually be crushed. We repeat: Do not attempt to leave your vehicle!
We send you greetings from the front. We have engaged the enemy and are taking heavy losses. The enemy is faceless, soul-less, and ubiquitous. Please think of us as you go about your daily business. Remember us in our fight. The signal war must go on. If the signal fades, we will all be lost, without direction or succor. We will wander the world like zombies.
The evil-doers are like that. They move from cave to cave in a deathlike state. No amount of signal can reach them now, because they are out of range and receiverless. We will hunt them down, drag them out of their holes, and bring them to justice. Signal will pour down on them like rain, until they are seized with fear and abandon their vehicles.
That whirling mass on the screen is the future. But make no mistake about it, that future is entirely preordained and inevitable. It was all written down long before these childish visions of the social appeared; long before this imagination of human agency. The modern was a dream from which we awoke sober, relieved, and determined.
Calm yourselves. Everything is in our hands now, and we will not let you down. We were chosen for this task before we were born. Though we wandered for a while in the wilderness, at the appointed time the signal reached us, and we were born again. When the towers were hit, our mission was written in the sky. Be of good cheer: We are at war, now and forever.
Contributor
David Levi StraussDAVID LEVI STRAUSS is the author of Words Not Spent Today Buy Smaller Images Tomorrow (Aperture, 2014), From Head to Hand: Art and the Manual (Oxford University Press, 2010), Between the Eyes: Essays on Photography and Politics, with an introduction by John Berger (Aperture 2003, and in a new edition, 2012), and Between Dog & Wolf: Essays on Art and Politics (Autonomedia 1999, and a new edition, 2010). He is Chair of the graduate program in Art Writing at the School of Visual Arts in New York, and he is on the faculty of the Milton Avery Graduate School of the Arts at Bard College.
RECOMMENDED ARTICLES
Shifting and Symmetry of Time
by George WidenerJUL-AUG 2018 | Critics Page
Although my investigations and conceptions of time are certainly self-taught and personal, they are not necessarily outside the canon of human experience or destiny. They’re in fact juxtaposed to the future evolution of technology and human neurological development. This is to say that perhaps one day some of my pictures will awaken from their present hibernation. The question here is whether my calendric calculations and reference points are merely personal or whether they’re connected to a futuristic synergized public.
On Time
by Randy GibsonSEPT 2017 | Critics Page
How can time manifest in performance, object, or environment? How, through the use of structure, can time be altered, shifted, transcended, and understood in our shared experience?
Time-Trails and Travelled Roads: GALE RENEE WALDEN with Rod Kessler
DEC 17-JAN 18 | Books
In her recently released Where the Time Goes, Illinois poet Gale Renee Walden moves the reader in various ways, including along the time-line.
Darwin's Slow Time
by Jonathan SachsSEPT 2017 | Critics Page
We can begin to grasp just how long a timescale Darwin’s theory requires when we consider the only illustration that he offers in the Origin of Species, which shows species differentiation over time.
RSS