Poetry
Unbewusste Orte, Feuilles Tourbillonnantes
Unbewusste Orte
One likes to dance,
another needs to
tighten her wheel.
Every moment
is innocence.
They carry those little
packages behind them.
Shit is earth.
What motivated
“Machine Gun” Kelly?
Certainly not poetry
in that battered past.
Wisps of notes.
A wisp of a girl.
Feuilles Tourbillonnantes
Now I’m away from forgiven
the netted mastery slides weekly
on, offended robotic slur
presage Rommel inveterate clutch
shinsplint ideogram
Malbec gelding
you land on a silver
crash aflow with life’s
hum in squawks.
I’m liberally hung
to fry all time.
But you so bootifal.
Christ, thought he was
gonna stifle himself.
Cold jones it.
Running this badge
of security a fall
time. And you’re
with me, so no excuses.
This merits hand-held.
Thank you, kind
protectress resounding
exclamations of
harbored ecstasy.
Contributor
Vincent KatzVINCENT KATZ is a poet, translator, and critic. He is the author of the poetry collections Southness (Lunar Chandelier Press, 2016) and Swimming Home (Nightboat Books, 2015). Fantastic Caryatids, just out from BlazeVOX Books, features a collaborative poem and conversation with Anne Waldman. Katz lives in New York City, where he curates Readings in Contemporary Poetry at Dia Art Foundation. Raphael Rubinstein has characterized Katz as “A 21st-century flâneur whose wanderings range from the sidewalks and subways of New York City to the crowded beaches of Rio de Janeiro.”
RECOMMENDED ARTICLES
The Power of Intention: Reinventing the (Prayer) Wheel
By Avram C. AlpertJUL-AUG 2019 | ArtSeen
The Power of Intention: Reinventing the (Prayer) Wheel brings together contemporary artists making work about intention, belief, and prayer with historical prayer wheels and related images from the history of Himalayan arts.
The Deep Roots and Airborne Particulars of Judson Dance Theater
By Mark BlochDEC 18-JAN 19 | Dance
Something in the air wafted into New York’s cultural scene as the 1950s became the 1960s with the dance world no exception.
Judson Dance Theater: The Work is Never Done
By Nicole MeilyFEB 2019 | Art Books
From 1962 to 1964, Judson Memorial Church hosted a series of performances that challenged the conventions of dance. These “Concerts of Dance,” performed by a group of artists collectively known as Judson Dance Theater, centered on choreography that involved quotidian movements and simple prompts. Incorporating everyday objects and music, these interdisciplinary performances were imbued with a spirit of experimentation and collaboration.
Pay to play: the costs of carving new space for dance
By Benedict NguyenFEB 2018 | Dance
What about all the artists who don’t register on the curatorial grid? The recently defunct Createquity has published a lot of research on who gets to be an artist and how saturated the field is with aspiring creatives. Many dance makers are finding space to present or perform their own work outside of the usual venues.
