Surface differences aside, Brooklyn-based Beth Gills wounded giant and Tokyo-based Kakuya Ohashis Wish You Were Here, presented together recently at the Kitchen, have more in common than a spare aesthetic and a detached air. Even though, as curator Yasuko Yokoshi remarked, Kakuyas approach is more psychological and Beths is more about physical space, both dances respond to the perils and nature of urban existence.
It is all in the music. If you just listen to the music, your body will follow. Dont be concerned with flashy steps, just start to feel the rhythm, listen to what your body has to say.It is all in the music. If you just listen to the music, your body will follow.
Ann Liv Young’s “Michael” is an interdisciplinary exploration of the hyper-real, which defies categorization as anything other than “performance art.” By juxtaposing the natural and theatrical, the private and public, the mundane and the over-the-top, Young complicates the relationship between audience and performer, obscuring the boundaries between the two, thereby questioning the limits between “life” and “art.” Executed in a fast-paced, feverish state of excitement, “Michael” is a veritable forty-five minute abduction that leaves the audience breathless, dazed, disoriented, at least a little bit uncomfortable, and, to be honest, in desperate need of a shower.