Editor's Message
Editor's Message
Something’s happening here…
Mayor Bloomberg may not see the war in Iraq as “a local issue,” but most reasonable people disagree. From Cindy Sheehan’s Crawford to right here in our very own New York City, opposition to Mr. Bush’s war has never been greater. As United for Peace and Justice and the other organizers of the upcoming massive demonstration in D.C. have stated, “anti-war sentiment in the country has become the majority sentiment. The September 24 demonstration will be a vivid expression of this new political reality.”
What can we say, other than…peace out!
—The Rail
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The Business of Art is the Business of People
By Lise K. Ragbir and Julia V HendricksonJUNE 2023 | Critics Page
People of the global majority are being invited into predominantly white art spaces like never before. And, at rates like never before, were seeing the ways in which many of these institutions are under-supporting employees. Efforts have been made, but diversity hires and DEI fatigue shed light on the ways in which stop-gap measures alone cant upend a system that wasnt built for everybody. Even if, in our capitalist society, were all seen as human resources.

What Are White People So Afraid Of? Claudia Rankine’s Help
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Alexis Clements reflects on a trio of works by Claudia Rankinean essay, a book, and a new play starting March 15 at The Sheddissecting how they circle a question that has caught Rankines, and the zeitgeists, attention: why is it so hard for white people to confront their whiteness?
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By most measures, Bush Tetras are not an emerging outfit. Formed in 1979 in Lower Manhattan, the original iteration of the band lasted only three years. During that time, they helped pioneer a hugely influential style of dance-oriented post-punk, sometimes described as mutant disco, that simultaneously emerged on both sides of the Atlantic.
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Organized by The New Museums artistic director Massimiliano Gioni with curator Gary Carrion-Murayari and curatorial assistant Madeline Weisburg, American People is jam-packed with more than forty years of Faith Ringgolds most prominent work.