Stanzas from an untitled poem

By Daniel Tiffany

JUL-AUG 2018 | Poetry

Daniel Tiffany is the author of ten books of poetry and literary criticism. The stanzas published here are drawn from a book-length poem composed in syllabics, which writes through The Book of Margery Kempe (the first autobiography in the English language), dictated by an illiterate fourteenth-century mystic. Additional stanzas from the poem will be appearing in BOMB, Iowa Review, FENCE, Colorado Review, The Tiny, Journal of Poetics Research (Australia), Flash Cove (Australia), Iowa Review, VOLT, Horsethief, Denver Quarterly, New American Writing, West Branch, and Bennington Review.

Girl, Woman, Other

By John Domini

MAR 2020 | Books

That familiarity is what I’d emphasize. Myself, I love what’s outré and of-the-moment about Girl, Woman, Other. I was at once won over by its fast and loose way with the English sentence, quasi-colloquial, with minimal punctuation and capitalization, sometimes breaking down into short stacks of single lines. Yet it doesn’t take an aesthete to find the prose accessible. Anyone can appreciate Evaristo’s sensitivity to the passions in her people.

POEM (“popular fear…”)

By Simon Pettet

SEPT 2019 | Poetry

Simon Pettet is a long-time resident of New York's Lower East Side. His Collected Poems, HEARTH (from Talisman House) is essential reading. His most recent volume (from the same publishers) is AS A BEE

Jennifer Firestone's Story

By Rachael Guynn Wilson

MAR 2020 | Books

What is the difference between a narrative and a story, the poem asks, and also perhaps: Is poetry uniquely positioned to explore this difference?