Editor's Message From The Editor
Summer Break

I’m on-leave for the next few issues, in order to work on a political campaign. The Rail will continue to roll just fine in the meantime. See ya on the streets or at the beach, or somewhere in between.
—T. Hamm
All hail Atticus Rossa McDermott Cole, born May 31, 2005.
Congratulations Meghan and Williams! A Rail diaper baby…
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Lois Dodd: Natural Order
By David WhelanMAY 2023 | ArtSeen
In Lois Dodds comprehensive exhibition Natural Order, now on view at the Bruce Museum, the artists unique approach to observation is laid bare. Dodds paintings of modest subjects read like field notes, recording her perception of the immediate environment. The frenetic energy and physicality of her work reminds us that making sense of the world is not an instant phenomenon.

Alejandro Contreras: In Work We Trust ¡Chamo, ¿qué hiciste con el carro?!
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Alejandro Contrerass In Work We Trust ¡Chamo, ¿qué hiciste con el carro?! at the ELM Foundation, his first solo exhibition in New York, is viscerally overwhelming. The sheer amount of material is difficult to process. Installation view: Alejandro Contreras: In Work We Trust ¡Chamo, ¿qué hiciste con el carro?!, The Boiler at ELM Foundation, Brooklyn, 2023. Courtesy the artist and The Boiler.
Olga Ravns My Work
By Amber SparksSEPT 2023 | Books
Throughout Olga Ravns latest novel, My Work, protagonist and new mother Anna repeatedly says she wants to write a normal book. Its a brilliant refrain, because of course Ravns book is anything but normal, though it is an ambitious one.
John Walker: New Work
By Amy RahnJUNE 2023 | ArtSeen
Resurrection III (2022), the first painting in John Walker: New Work, is an almost entirely cobalt-blue and white canvas stretching seven feet high. A vertical primer-white passage cuts upward through the blue, with lateral extensions branching left and right.