Poetry
Thoughts of Gorky, Looking into Vermont Woods, at Tinling’s, October 3, 2004
Photograph ©Brian Molyneaux (2004).One stands on a creaking,
with October leaves
like cobra hoods
waltzing, wattled
parasols.
My eyes focus latrines—
a putrification is under way.
Warm bath of heart re-obtained,
to inhale, to be in the columnar density of
a warming that now
takes on global contours.
Leaves as reefs
birch-white with amber pink
lime-tinted
patches,
Atlas still
the molten under-yolk,
the sphincter of mayhem
Gorky breathed in
staring at gnats adrift,
grass entanglements,
entry
an ever-exiting bruise,
burst
flagellation of a pyre
drummed on by ants
possessed in elfin serenade.
Cockscomb and marigold are
thistled in
a graphite legacy
recalling Crane at Melville’s grave.
Monody of a line
picked up at Pech Merle.
The supped russet totality
eye-needled through.
RECOMMENDED ARTICLES
October Listings
By George Grella and Brad CohanOCT 2018 | Music
October’s Highly Selective Listings
October Listings
By George Grella and Brad CohanOCT 2019 | Music
Don't miss this month's selection of live performances in New York.
Artonov, Brussels, Belgium, 7th-13th October 2019
By Martin LongleyNOV 2019 | Music
Artonov is a young festival, only in its fifth edition. Its central concept involves risk, with a strategy of marrying art forms that would most often be separated. Even if a pair of disciplines might have an established relationship, it’s unusual for three or four vocabularies to be actively intertwined in one ‘happening’—music, dance, painting, storytelling, photography, costume design, even culinary adventure.
Arshile Gorky 1904-1948
By David CarrierJUL-AUG 2019 | ArtSeen
During the 1920s and ’30s Arshile Gorky and his New York fellow painters slowly and with real difficulty worked their way through European modernism.
