Poetry
[A Theory Is Drawn], [Coaxed – Sculpted to Admit – of Suddenness]
[A Theory Is Drawn]
[Coaxed – Sculpted to Admit – of Suddenness]
Contributor
Lisa LubaschLisa Lubasch is the author of To Tell the Lamp (Avec Books, 2004), How Many More of Them Are You? (1999, winner of the Norma Farber First Book Award), and Vicinities (2001). She is the translator of Paul Éluard's A Moral Lesson, forthcoming from Green Integer Books in August 2005.
RECOMMENDED ARTICLES
Rone Shavers’s Silverfish
By James W. FuerstOCT 2020 | Books
Rone Shavers’s debut novel Silverfish is a lively, intelligent, and ambitious book, and refreshingly difficult to categorize. It is an experimental work that combines elements of sci-fi, dystopian, and war fiction with linguistic and literary theory, intertextuality and metacommentary, multiple perspectives and voices, social criticism and satire—all of which is injected with pace and humor and firmly grounded in an Afrofuturistic stance.
Samuele F.S. Pardini’s In The Name of The Mother
By Fiore SireciAPRIL 2020 | Books
Using his sharpened tools of literary criticism and theory, Pardini works through novels, movies, and music and shows how, in the days before the (still incomplete) assimilation of Italian Americans into “white” culture, a constellation of writers, intellectuals, musicians, and activists in both communities found rewarding interpenetrations of their constructed identities.
But I Have Always Been the Same
By Matt LongabuccoMAY 2020 | Poetry
Matt Longabucco is the author of several chapbooks, including Heroic Dose (Inpatient Press, 2019). His book, M/W: An essay on Jean Eustache’s La maman et la putain, is forthcoming from Ugly Duckling Presse. Poems and essays have appeared recently in Mirage, Lana Turner, and The Poetry Project Newsletter. He teaches writing, innovative pedagogy, and critical theory at New York University and Bard College’s Institute for Writing & Thinking.
LEIGH CLAIRE LA BERGE with Andreas Petrossiants
FEB 2020 | Books
While work may never become obsolete, being paid for it might—slyly invalidating the darker sides of some recent postwork theory soaked in accelerationist dogma, rather than in ideals of just redistribution or the outright toppling of capitalist exchange.
