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Film

A Sublime So Familiar

Jean-Luc Godard—like Andrei Tarkovsky—makes you peer more intently at the screen. Their films seldom wash over you; they contain you, sweep you along (or lose you entirely), demand that you watch more closely, pay more attention.

In Conversation

Guerrilla and the ’70s: Filmmaker Robert Stone

The Rail’s Williams Cole recently sat down with director Robert Stone, whose film Guerrilla: The Taking of Patty Hearst recently opened nationally.

Pedro Confronts the Ghosts of Franco

In Pedro Almodóvar’s 1983 film Dark Habits, a nightclub singer named Yolanda decides to kick her dope habit in a convent. But the nuns in charge of her rehabilitation are anything but pious. One is a lesbian heroin addict, another trips on acid, and a third writes smutty novels.

Docs In Sight

Limits to the Means of Production

Most nonpractitioners of documentary film know little about the increasing obstacles to obtaining rights and clearances that independent filmmakers face.

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The Brooklyn Rail

DEC 04-JAN 05

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