David ReedBy Michael Brennan
David Reed is a grand masterno painter has contributed as much in terms of expanding the vocabulary of abstract painting and maintaining its relevance during this era of marginalizationalthough there are many in New York who currently enjoy greater status.
Milton AveryBy Roger White
Milton Avery was closer in age to Marsden Hartley and Charles Burchfield than he was to Barnett Newman and Mark Rothko, but art history has retrospectively placed him in the company of those younger New York school artists rather than in his own peer group.
Field of Color: Tantra Drawings From IndiaBy Joan Waltemath
Originating as illustrations for 17th century tantric texts, tantra drawings have taken on autonomy through their dissemination for use in spiritual practice. In the center of each paper there is a form that has been handed down for generations, used over and over again to aid in meditation until it is worn, some accident befalls it, or a new practitioner arrives.
The Ballot ShowBy James Kalm
Finally, thank God its over, at least for some people. I received a sincere e-mail from a lady painter whose work I follow. It was soliciting signatures for a petition to investigate voting irregularities sponsored by moveon.org.
Aron NamenwirthBy Ben La Rocco
At artMoving, Aron Namenwirth exhibits abstract paintings that critique contemporary politics
Joan SnyderBy Rachel Youens
I have appreciated Joan Snyders ability to charge her imagery with exuberance and intelligence and visionary celebration in past exhibits. While her new body of work, entitled Women Make Lists, takes on an elegiac tone (it is dedicated to the women and children of Iraq), Snyders largescale paintingsfilled with rainbows of pastel colors, dotted and punctuated by dripping blotchy wounds, hearts, nipples, bloody lakesfeel like the funerary foot stomping and hair pulling of women portrayed on Greek vases.
Jason Cole Mager, Michael Yinger, and Jeffery KilmerBy William Powhida
A trio of young men comprise a show that hovers between angst and the desires that fuel their acute anxieties. Jason Cole Mager was asked to select two artists whose work would compliment his own.
Christine HiebertBy Joan Waltemath
An exhibition of pencil, tape, and charcoal drawings by Christine Hiebert opened in November in Philadelphia at Gallery Joe and will remain on view through the month of December.
Carroll DunhamBy Tomassio Longhi
Meyer Schapiro first met Fernand Léger at his 1935 retrospective at MoMA.
Arlingon Weithers and Matt FreedmanBy Ben La Rocco
Five Miles gallery is currently exhibiting painter Arlingon Weithers and sculptor Matt Freedman. Considering their divergent interests, the two are perhaps a bit too close in style to be adequately distinguishable in a single exhibition.
Sheri WarshauerBy Sonya Shrier
With titles like a quaint interior decoration magazine, Passionate Patronage, Mindfully Minimal, and Armed with Art, it is clear that Sheri Warshauers paintings are patronizing the lifestyle she documents.
Christian JankowskiBy Denise Frimer
Like a documentary filmmaker, Christian Jankowski relies on the public and the social interactions that take place between him and the world to frame his practice. Internationally acclaimed, this Berlin-based artist first garnered attention with Telemistica at the 1999 Venice Biennale and, following in 2002, at the Whitney Biennial in New York with The Holy Artwork.
Giorgio MorandiBy Thomas Micchelli
Giorgio Morandi knew Fascism with a capital F. The story of Italian art is intertwined with its often ruthless politics, never more so than in the bloody history of the past one hundred years.
Isamu Noguchi: Master SculptorBy Valery Oisteanu
Celebrating the centennial of the artists birth, the retrospective Isamu Noguchi: Master Sculptor is at the Whitney Museum and the outdoor sculpture garden, a collaborative effort with the Hirshhorn Museum and Sculpture Garden, curated by Valerie J. Fletcher.