Our annual winter support keeps the Rail independent, relevant, and free
Now that the hype of the Internet, with its faded IPOs and stock market roller coaster ride is over, and media conglomerates are gobbling each other up on the broadcast food chain, whom can we look to for inspiration and innovation?
Diving into Fred Wilsons excursions around the complex relationships between art collections and their institutional display, one cannot help but question the role and ambition of museums.
Returning home to New York City one February night after a party in Westchester County, I was mesmerized by grave ads inside the Metro North trains publicizing the NYPDs Terrorism Hotline.
The clashes between the factions and subfactions of our aesthetic tribes are as unrelenting as conflict between the Protestants and Catholics in Northern Ireland, or closer to home, the Bloods and Crips on the streets of East New York.
Sick fox is Berlin-based artist Klaus Weber’s New York debut: an introduction to some of the essential themes and variations in the multifarious artist’s oeuvre, with works in a range of media.
Drawings its title from a line in Mad Max: Beyond Thunderdome, Two enter and one leaves at YEAR has something in common with the post-apocalyptic Bartertown where Mad Max fights for his life against a mentally challenged giant controlled by a midget.
The hot summer day that I visited The Free Library, Lou Reeds cool voice filled the room, the hip gallery attendant was napping on a beanbag among books, and hanging plants were scattered around the room enjoying the gentle breeze of an industrial fan.
The wine is served in goblets at the opening of Crossing the Bridge at Axelle Fine Arts, an international organization founded in 1994 to bring French art to the States. This evening on Smith Street, however, Axelle is showcasing its own young artist-employees.
A shaggy beef jerky floats on a milky pink ground in the foyer painting of The Seductive Quality of the Impossible, Carol Peligians well presented show of paintings and drawings at East, a smart pocket watch of a gallery in Williamsburg.
When New York was New Amsterdam in 1626, the Dutch West India Trading Company owned our little village colony that extended from South Ferry as far North as the stockade that later came to be called Wall Street.