How Can We Think of Art at a Time Like This?

By Sahar Khraibani

JUNE 2020 | ArtSeen

Co-curated by Barbara Pollack and Anne Verhallen as a platform for the exchange of art and ideas at a time of crisis, How Can We Think of Art at a Time Like This? is an exhibition without walls, created almost overnight to respond to museum and galleries’ closures due to the COVID-19 pandemic, as well as a platform for free expression, inviting visitors to post responses on its Comments page.

Diana Copperwhite: The Clock Struck Between Time

By Robert R. Shane

JUNE 2019 | ArtSeen

The question one asks while experiencing Diana Copperwhite’s new paintings is: When are they happening? As the exhibition title, The Clock Struck Between Time suggests, the artwork places us in an ambiguous temporal space, drifting from the present moment into a memory still struggling to take form.

Hernan Bas: Developing TiME LiFE

By Charlotte Kent

MAY 2020 | ArtSeen

Amidst the rise of online viewing rooms for shows we might not otherwise see, Lehmann Maupin made the decision to provide us backgrounds to shows we have. In Developing TiME LiFE, the gallery presents studies (available for sale) as well as information from Hernan Bas about the process for his most recent fall 2019 show.

Shifting and Symmetry of Time

By George Widener

JUL-AUG 2018 | Critics Page

Although my investigations and conceptions of time are certainly self-taught and personal, they are not necessarily outside the canon of human experience or destiny. They’re in fact juxtaposed to the future evolution of technology and human neurological development. This is to say that perhaps one day some of my pictures will awaken from their present hibernation. The question here is whether my calendric calculations and reference points are merely personal or whether they’re connected to a futuristic synergized public.