by Will Fenstermaker
JUL-AUG 2018 | ArtSeen
As an editor, I distrust superlatives, but here goes one that’s deserved: Aaron Fowler’s Donkey Days is the best solo gallery show I’ve seen in New York this year. Fowler’s assemblages are meticulous, intricate, and complexly layered, steeped with references and allusions—narrative, formal, and material—to art history, popular culture, and the artist’s own familial and personal experiences.
by Richard Walker
MAY 2017 | Field Notes
The New Deal of the 1930s utterly transformed New York City, but most people hardly notice today. The landscape of public works created under the aegis of the Roosevelt Administration has become part of the backdrop of everyday life. But try to imagine the city without the Triborough Bridge, Lincoln Tunnel, and Henry Hudson Parkway and you get an idea of how much the city still owes to the New Deal.