Film

Teen Power: From American Brands to Foreign Brandos

The cover of July’s Vanity Fair provocatively displays "tween" stars all clad in pink skin-tight duds. Maybe it’s because I grew up with a young Elizabeth Taylor in National Velvet as my heroine, but the magazine’s emphasis on these teens’ status as commodity spin-offs rather than their (few shreds of) talent startled me.

From Dogme 95 to Dogville: A Scatological Survey

"Life is one long turd that you have to take a huge bite of every day." So runs a bit of wisdom from an older sibling to her younger in the Dogme 95 movie Mifune (1999). Now that the panel of filmmakers which certified Dogme 95 films (the Dogme Secretariat) has officially disbanded, it may be time to examine the movement’s output to discover just what we’ve been swallowing all along.

A Different Kind of Kodak

When Tolstoy wrote that "happy families are all alike; every unhappy family is unhappy in its own way," he didn’t know to add that unhappy families who relentlessly document themselves belong to a category unto itself.

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AUG-SEPT 2003

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