The 2002 Whitney Biennial: The Whitney Museum of ArtBy Daniel Baird
For a grueling day at the 2002 Whitney Biennial, a friend and I ventured into Central Park in search of Brian Tolles "Waylay" (2002).
In Search of Uriel: Barnett NewmanBy Jim Long
Newman was pushed out. He painted fewer and fewer paintings, until, in 1955, he made just one painting, and none at all in the next two years. His friend Pollock had died in 1956. In 1957, he had a near-fatal heart attack. He would later describe the period as his blackest years, and during that time the single painting he made was Uriel.
The Fallacy of Utopia: the Art World and Current Dialectic in Havana, CubaBy Ellen Pearlman
Taania Bruguera is eating dirt. Real dirt. The kind of dirt you find in your yard or on the ground around the base of a tree. Shes kneading it into small balls with the saltwater of tears, lifting it to her lips, popping it in and chewing it and swallowing it with a big, forced, throaty gulp.
The Stable Gallery: In Conversation With Nicolas CaroneBy Phong Bui
As part of the Rails ongoing effort to bring resources and historical awareness to the current dialogue in our ever-growing art community, I wrote an article several issues ago about The Club, and was able to interview Philip Paviathe sculptor and organizer of The Club and publisher of It Is magazine.
Art Celebrates Life: Expect Art Auction at Sean Kelley GalleryBy Deborah Everett
There is a very old (and recently revived) proverb about the sharing of knowledge: the gift of food, it says, feeds the recipient for a day, but teaching him to grow his own is sustenance for a lifetime.
PROFILE: 651 ARTSBy Jason Jones
Sitting down for a chat with Maurine Knighton, the executive producer and president of 651 ARTS, provides both pleasure and an education in the history of dance.
DUMBO: Poised for FlightBy Eric V. White
Like Williamsburg and Greenpoint, DUMBO, the acronym for Down Under the Manhattan Bridge Overpass, is on the verge of becoming another SOHOthat is, a neighborhood initially transformed by artists, but now populated mainly by upper-income professionals.