More Articles...
Print
We Believed in the End of the World
by D. NurkseWe scrunched under the desk
where I once memorized
the lives of saints and heroes
while the teacher droned on
trying to stay calm
in the face of a bomb
that might never fall.
In that rich dark
we learned how we fitted
boy and girl,
how we were opposites
and each our own opposite.
Above us the stashed gum
of a generation of older brothers
glinted, amazingly hard:
if we tried to carve a heart
that dark sheen cracked.
We believed this world would end:
like water from the fountain
held in cupped hands,
like chalk dust or the powder
from a jelly donut.
Far away the principal rumbled on his scratchy intercom,
then nothing, the powerful swish
of traffic, silence, time passing,
the pulse quickening
as if to find a way out
and no world except us.
RECOMMENDED ARTICLES
A Brave New World, at Your Doorstep
by Jim KnableMAR 2018 | Theater
Brave New World Rep is a theater company run by a former soap opera star who staged the company’s first significant production, To Kill a Mockingbird, on her front porch in Ditmas Park for a one-performance run in front of an audience of 1,500 under a serendipitously full moon.
ALVARO BARRINGTON & DAVID WEISS: A Different World
by Gabriella NugentFEB 2018 | ArtSeen
In A Different World, Barrington alters voyages already taken. Situated on the windowsills of the gallery, the series constructs an alternative vision onto the world.
László Krasznahorkai’s
The World Goes On
by Veronica Scott Esposito
FEB 2018 | Books
The best writers endure regardless of when or why their work is written. Unerringly honing in on the core of our human condition, these writers’ instincts lead them toward this unshakeable truth again and again, regardless of their subject-matter.
Were there not already enough evidence that László Krasznahorkai is such a writer, his latest book in translation, his 2013 prose collection The World Goes On, proves it.
Before the End of the World: Strugatsky Brothers on Film at Anthology Film Archives
by Forrest CardamenisNOV 2017 | Film
Russian Sci-fi authors Boris and Arkady Strugatsky owe much of their renown in the United States, to Andrei Tarkovsky’s film Stalker (1979). Despite mixed reviews upon release, the film has cemented itself in the world cinema canon, and brought its source material, the brothers’s Roadside Picnic, along with it.
RSS