Books
The Brooklyn Rail recommends…
Daniel Chavarría, Adios Muchachos (Akashic Books, 2001), $13.95 paperback.
A salacious, gender-bending story about a Havana “bicycle hooker” named Alicia, who’s got more curves than J-Lo and an even savvier business sense. The prolific and perverse Uruguayan writer Chavarría, here translated into English for the first time, delivers a brilliantly comic, never sentimental parable about the real meaning of free trade.
Una historia lujuriosa y sexualmente torcida acerca de una “prostituta bicicletera” llamada Alicia, más curvilinea que Jennifer López y con un astuto sentido para los negocios. El perverso y prolífico escritor uruguayo Chavarría, traducido al ingles por vez primera con esta obra, nos entrega una brillante y nada sentimental parabola cómica acerca del verdadero sentido del libre comercio.
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Deia Schlosberg's documentary The Story of Plastic discusses the dismal reality of the plastics' industry and its impact on the world, hoping to create change with a grassroots release.
Jennifer Firestone's Story
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What is the difference between a narrative and a story, the poem asks, and also perhaps: Is poetry uniquely positioned to explore this difference?
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from Story
By Jennifer FirestoneFEB 2020 | Poetry
Jennifer Firestone is the author of five books of poetry and four chapbooks including Story (UDP), Ten, (BlazeVOX [books]), Gates & Fields (Belladonna* Collaborative), Swimming Pool (DoubleCross Press), Flashes (Shearsman Books), and Holiday (Shearsman Books). She co-edited (with Dana Teen Lomax) Letters To Poets: Conversations about Poetics, Politics and Community (Saturnalia Books) and is collaborating with Marcella Durand on a book about Feminist Avant-garde Poetics. She won the 2014 Marsh Hawk Press’ Robert Creeley Memorial Prize. Firestone is an Associate Professor of Literary Studies at the New School’s Eugene Lang College and is also the Director of their Academic Fellows pedagogy program.
