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<title>The Brooklyn Rail</title>
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    <title>The Brooklyn Rail</title>
    <link>http://brooklynrail.org</link>
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<description>Arts and Culture</description>
<rights>Copyright (c) 2005-2012, The Brooklyn Rail</rights>
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			<title><![CDATA[Thursday, May 17, 2012 at 7:00 pm - THE MAY ISSUE]]></title>
			<link>http://www.centerforfiction.org/calendar/the-brooklyn-rail</link>
			<guid>Brooklyn Rail Event #70</guid>
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<br />
THE MAY ISSUE<br />
Thursday, May 17, 2012 at 7:00 pm
<br /><br />
The Center for Fiction // 17 E. 47th St., NY NY
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 Join us for an evening of readings from <i>Rail</i> fiction contributors, with a spotlight on translation. <b>Harry Morales</b> will read from his translation of Mario Benedetti's novel <i>La Tregua</i>. <b>Donald Nicholson-Smith</b> will present excerpts from his translation of Raoul Vaneigem's <i>Traite de savoir-vivre a l'usage des jeuenes generations</i>, currently serialized in the <i>Rail</i>. <b>Pamela Ryder</b> will present some of her recent fiction. Hosted by <i>Rail</I> fiction editor <b>Donald Breckenridge</b>. 

 Translator Harry Morales is also the author of the novel <i>The Suit and Skirt Farm</i> (Xlibris, 2002). He has translated the work of Uruguayan poet and novelist Mario Benedetti, Eugenio Maria de Hostos, Emir Rodriguez Monegal, Juan Rulfo, Cristina Peri Rossi, Julia de Burgos, Alberto Ruy-Sanchez, and Ilan Stavans, among many others. 

 Mario Benedetti was born on September 14, 1920 in Uruguay. In 1953, he published his first novel <i>Quien de Nosotros</i>, but it was with the publication of <i>Montevideanos: Cuentos (Stories)</i> in 1959 that the urban concept of his narrative style took shape. With the publication of <i>La Tregua</i> in 1960, Benedetti acquired international prominence. He passed away on May 17, 2009. 

 Translator Donald Nicholson-Smith is a longtime resident of Brooklyn who has translated Guy Debord, Henfri Lefebvre, Guillaume Apollinaire, Raoul Vaneigem, and Jean-Patrick Manchette. 

 Raoul Vaneigem was born in Lessines, Belgium in 1934. A leading light in the Situationist International in the late 1960s, he is a prolific writer and a relentless critic of late capitalism. His <i>Traite de savoir-vivre a l'usage des jeuenes generations</i>, known in English as <i>The Revolution of Everyday Life</i>, was written during the Cold War in 1963-65. It is one of two influential books, the other being Debord's <I>Society of the Spectacle</i>, published by SI just months before the May 1968 upheavals in France. 

 Pamela Ryder is the author of <i>Correction of Drift: A Novel in Stories</i> (Fiction Collective 2, 2008) a novel about the Lindbergh baby kidnapping which Gordon Lish has called "a ghostly book [...] inconsolabl[y] haunting," and a new collection, <i>A Tendency to Be Gone</i> (Dzanc Books, 2011). 

 Donald Breckenridge is the author of more than a dozen plays as well as the novella <i>Rockaway Wherein</i> (Red Dust, 1998), and the novels <i>6/2/95</i> (Spuyten Duyvil, 2002), <i>You Are Here</i> (Starcherone, 2009), and <i>This Young Girl Passing</i> (Autonomedia, 2011). Fiction editor of the <i>Rail</i>, he is also the co-editor of the InTranslation website, and editor of the <i>Brooklyn Rail Fiction Anthology</i> (Hanging Loose Press, 2006) and the forthcoming <i>Brooklyn Rail Fiction Anthology 2</i> (Brooklyn Rail/Black Square Editions, 2012). He is currently at work on his fourth novel.  
 
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			<title><![CDATA[Watchin' the Detectives--And the Rest of the Officers, Too - by Eleanor  J. Bader]]></title>
			<link>http://www.brooklynrail.org/2012/05/local/watchin-the-detectives</link>
			<guid>http://www.brooklynrail.org/2012/05/local/watchin-the-detectives</guid>
			<pubDate>2012-5-01T12:00:00Z</pubDate>
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While various past watchdog efforts have targeted police brutality, Police Reform Organizing Project founder Robert Gangi says that the new group is the first "to focus on policy and the harm being caused to individuals and communities on a day-to-day basis."
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			<title><![CDATA[A Mother's Days - by Joan McClure]]></title>
			<link>http://www.brooklynrail.org/2012/05/express/a-mothers-days-1</link>
			<guid>http://www.brooklynrail.org/2012/05/express/a-mothers-days-1</guid>
			<pubDate>2012-5-01T12:00:00Z</pubDate>
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Writing in 1974, Joan McClure assessed the challenges presented by her roles as a mother, professor, and feminist activist.
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			<title><![CDATA[SONG OF OURSELVESABBIE HOFFMAN with Abbie Hoffman - by Theodore Hamm and Abbie Hoffman]]></title>
			<link>http://www.brooklynrail.org/2012/05/express/song-of-ourselvesabbie-hoffman-with-abbie-hoffman</link>
			<guid>http://www.brooklynrail.org/2012/05/express/song-of-ourselvesabbie-hoffman-with-abbie-hoffman</guid>
			<pubDate>2012-5-01T12:00:00Z</pubDate>
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"Political irrelevance is more effective than political relevance," says Abbie.
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			<title><![CDATA[THE "LEADERLESS REVOLUTION"CARNE ROSS with Nikolas Kozloff - by Carne Ross and Nikolas Kozloff]]></title>
			<link>http://www.brooklynrail.org/2012/05/express/the-leaderless-revolution-carne-ross-with-nikolas-kozloff</link>
			<guid>http://www.brooklynrail.org/2012/05/express/the-leaderless-revolution-carne-ross-with-nikolas-kozloff</guid>
			<pubDate>2012-5-01T12:00:00Z</pubDate>
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Once a consummate insider, the former diplomat is now a trenchant critic of the establishment.
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			<title><![CDATA[NARI WARD with Phong Bui - by Phong Bui ]]></title>
			<link>http://www.brooklynrail.org/2012/05/art/nari-ward-with-phong-bui</link>
			<guid>http://www.brooklynrail.org/2012/05/art/nari-ward-with-phong-bui</guid>
			<pubDate>2012-5-01T12:00:00Z</pubDate>
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A few days after the closing of his exhibit <em>Liberty and Orders</em> at Lehmann Maupin Gallery (March 29 &#150; April 21, 2012) artist Nari Ward paid a visit to the <em>Rail's</em> headquarters to talk with Publisher Phong Bui about his life and work. 
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			<title><![CDATA[LIAM GILLICK with William Corwin - by William Corwin]]></title>
			<link>http://www.brooklynrail.org/2012/05/art/liam-gillick-with-william-corwin</link>
			<guid>http://www.brooklynrail.org/2012/05/art/liam-gillick-with-william-corwin</guid>
			<pubDate>2012-5-01T12:00:00Z</pubDate>
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William Corwin sat down with Liam Gillick to discuss a recipe for creating public art that is neither grandiose, kitschy, nor dismissive of the public; the responsibilities of the contemporary curator; and the joys of lying face down on the floor. 
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			<title><![CDATA[ALAIN KIRILI with Robert C. Morgan - by Robert C. Morgan]]></title>
			<link>http://www.brooklynrail.org/2012/05/art/alain-kirili-with-robert-c-morgan</link>
			<guid>http://www.brooklynrail.org/2012/05/art/alain-kirili-with-robert-c-morgan</guid>
			<pubDate>2012-5-01T12:00:00Z</pubDate>
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On the occasion of the current exhibit <em>The Drawing Show: Lines in Charcoal, Ink, Watercolor, Galvanized Iron and Black Rubber</em> (January 3 &#150; June 30, 2012), the sculptor Alain Kirili and Contributing Editor Robert Morgan paid a visit to the <em>Rail</em>'s headquarters to talk about his life and work.
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			<title><![CDATA[MIRACULOUS AGITATIONScroungings Toward a New Acoustic Synthesis - by Dan  Wilson]]></title>
			<link>http://www.brooklynrail.org/2012/05/music/miraculous-agitation-scroungings-toward-a-new-acoustic-synthesis</link>
			<guid>http://www.brooklynrail.org/2012/05/music/miraculous-agitation-scroungings-toward-a-new-acoustic-synthesis</guid>
			<pubDate>2012-5-01T12:00:00Z</pubDate>
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In an age when so much experimental music is concerned with seizing upon exciting new effects of appropriate novelty <em>and</em> timelessness, it is heartening to hear the old "infinite world of the real" occasionally proffering impressive acoustic gurgles of its own, often in the dirtiest of places. 
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			<title><![CDATA[The New Millennium Minstrel Show - by Tanya Jayani Fernando]]></title>
			<link>http://www.brooklynrail.org/2012/05/dance/the-new-millennium-minstrel-show</link>
			<guid>http://www.brooklynrail.org/2012/05/dance/the-new-millennium-minstrel-show</guid>
			<pubDate>2012-5-01T12:00:00Z</pubDate>
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Danspace Project, a leading space for experimental contemporary dance, just finished a two-month program that examined the meaning of black dance. Curator and choreographer Ishmael Houston-Jones asked, "[D]oes 'Black Dance' even exist? And assuming it does, what defines it?"

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			<title><![CDATA[Arrow Canyon - by Pamela Ryder]]></title>
			<link>http://www.brooklynrail.org/2012/05/fiction/arrow-canyon</link>
			<guid>http://www.brooklynrail.org/2012/05/fiction/arrow-canyon</guid>
			<pubDate>2012-5-01T12:00:00Z</pubDate>
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Out here where we are, down this end of the county, we don't have much in the way of attractions. Not any more, anyways. Unless you'd call the Ute jerky stand an attraction.
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			<title><![CDATA[Tree Roots and Trunks - by Clayton Eshleman]]></title>
			<link>http://www.brooklynrail.org/2012/05/poetry/tree-roots-and-trunks</link>
			<guid>http://www.brooklynrail.org/2012/05/poetry/tree-roots-and-trunks</guid>
			<pubDate>2012-5-01T12:00:00Z</pubDate>
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Clayton Eshleman's most recent publication is <em>The Price of Experience</em>, a large compendium of Eshleman's poetry, lectures on ancient cave paintings, a journal, essays, reviews, and interviews, just out from Black Widow Press.
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			<title><![CDATA[ALEXANDER S. C. ROWER with Joost Elffers - by Joost Elffers]]></title>
			<link>http://www.brooklynrail.org/2012/04/art/alexander-s-c-rower-with-joost-elffers</link>
			<guid>http://www.brooklynrail.org/2012/04/art/alexander-s-c-rower-with-joost-elffers</guid>
			<pubDate>2012-4-01T12:00:00Z</pubDate>
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On the occasion of <em>Alexander Calder: The Great Discovery</em> at the Gemeentemuseum Den Haag (February 11 &#150; May 28, 2012), the artist's first retrospective to be held in the Netherlands since 1969, Alexander S.C. Rower sat down with publisher and designer Joost Elffers to talk about the aesthetic relationship between Calder and Mondrian.
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			<title><![CDATA[JOHN NEWMAN with Phong Bui - by Phong Bui]]></title>
			<link>http://www.brooklynrail.org/2012/04/art/john-newman-with-phong-bui</link>
			<guid>http://www.brooklynrail.org/2012/04/art/john-newman-with-phong-bui</guid>
			<pubDate>2012-4-01T12:00:00Z</pubDate>
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A few days after the opening reception of his solo exhibit <em>John Newman: New Work </em>at Tibor de Nagy Gallery (March 15 &#150; April 21, 2012) the sculptor paid a visit to the <em>Rail</em>'s headquarters to talk with <em>Rail</em> publisher Phong Bui about his life and his recent body of work.
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			<title><![CDATA[JULIA KUNIN with Maria Elena Gonz&aacute;lez - by Maria Elena Gonz&aacute;lez]]></title>
			<link>http://www.brooklynrail.org/2012/04/art/julia-kunin-with-maria-elena-gonzlez</link>
			<guid>http://www.brooklynrail.org/2012/04/art/julia-kunin-with-maria-elena-gonzlez</guid>
			<pubDate>2012-4-01T12:00:00Z</pubDate>
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On the occasion of her exhibition at Greenberg Van Doren Gallery, <em>Julia Kunin: Nightwood</em> (February 23 &#150; April 21, 2012), Maria Elena Gonz&aacute;lez met with Julia to converse about her current work.
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			<title><![CDATA[Ice Makes FirePaul Kos with Jarrett Earnest - by Jarrett Earnest]]></title>
			<link>http://www.brooklynrail.org/2012/04/art/ice-makes-firepaul-kos-with-jarrett-earnest</link>
			<guid>http://www.brooklynrail.org/2012/04/art/ice-makes-firepaul-kos-with-jarrett-earnest</guid>
			<pubDate>2012-4-01T12:00:00Z</pubDate>
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Paul Kos, a conceptual artist who has helped create the vocabulary for video, performance, and conceptual art in the San Francisco Bay Area since the late 1960s, walked Jarrett Earnest through the three floors of his exhibit at Nyehaus, <i>Allegories and Metaphors, 1969 &#150; 2012</i> (March 3 &#150; April 21), and talked about the evolution of his art.
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