SAMUEL FELDBLUM is an armchair philosopher pondering getting out of his armchair.
FEB 2017 | ArtSeen
At the Southeastern Center for Contemporary Art, in the old Hanes family mansion in Winston-Salem, North Carolina, Dispatches offers thirty-four artists and photojournalists a chance to “redefine the world issues of our time.”
MAR 2016 | ArtSeen
This winter, Duke’s Nasher Museum contributed its two cents to the roiling national conversation on race by celebrating its tenth anniversary with a show of artists of African descent, organized by chief curator Trevor Schoonmaker.
JUNE 2016 | Field Notes
In January, while planning the state budget, New York Governor Andrew Cuomo announced a $485 million cut to state funding for the City University of New York (CUNY), expecting the city to pick up the balance.
SEPT 2016 | Film
Kirsten Johnson’s documentary cinematography has taken her swirling into the eddies of global human trauma. Her newest film, Cameraperson (2016),which revisits her earlier footage as memoir, headlined April’s Full Frame Documentary Film Festival in Durham, NC, as part of the fest’s programmatic tribute to Johnson, which included work from throughout her career.
APR 2015 | ArtSeen
Adam Magyars first solo show in New York, Kontinuum, contemplates the calm and the fury of time.
SEPT 2015 | ArtSeen
Peter Schjeldahl, speaking with Jarrett Earnest in the July/August issue of the Rail, pointed out that sculpture can be “irritating” because, unlike some of its peers, it competes for space with the viewer. We wonder “what it is, why it’s there, and when it will go away.
DEC 15-JAN 16 | ArtSeen
Although seemingly ubiquitous in pop culture, MC Escher is not accorded much weight in more traditional fine-art circles. This is, perhaps, because he is something of a flash in the pan.
DEC 14-JAN 15 | ArtSeen
Francesco Vezzoli is an artist whose work telescopes time. His needlepoint pieces starring actresses and models as Madonna with child, created in Italy in the late 90s, collide classic tropes with a more familiar, dynamic modernity.
MAR 2017 | Field Notes
2016 was a banner year for graduate student organizing on university campuses. In August, the National Labor Relations Board (NLRB) ruled that graduate student workers had the right to organize and bargain collectively as university employees, reversing a 2004 decision by a more conservative board.
APR 2016 | ArtSeen
When a redwood tree is feeling fatalistic, it sends up saplings from its roots, surrounding its trunk. The shoots leap from life’s final breaths to begin fresh: “Old, new, dead, and unborn // one and the same.” Molly Lowe’s film Redwood, currently showing at Pioneer Works alongside an accompanying installation, begins with a description of this collapsing circle of life.
JUL-AUG 2016 | ArtSeen
In Memphis, a sun-baked blues town where history oozes from ramshackle brick façades, the musician’s studio often trumps the painter’s. Perhaps it’s fitting, then, that downtown Tops Gallery is underground, in a basement behind a working stained glass factory.
OCT 2016 | Field Notes
On August 23, the National Labor Relations Board (NLRB) decided that graduate student workers at private universities may unionize and bargain collectively. The ruling ended a twenty-month wait for Columbia graduate students, who had petitioned the NLRB in late 2014.
SEPT 2015 | Field Notes
On a frigid, gray day in November 2014, Professor Mark Crispin Miller of NYU spoke through a megaphone to a crowd of stamping, mitten-clad graduate students. “Everything that’s wrong with higher education,” he chargedprofiteering, increasing reliance on graduate students and adjunct labor for teaching, ballooning costs“NYU is the avant-garde!”
OCT 2015 | Field Notes
An old New York saw has it that Columbia and New York Universities will continue buying up property in the north and south of Manhattan until they meet in the middle. But as the real estate dealings continue apace in New York and across the globe, pushback against NYU has intensified, from without and within.
OCT 2014 | Field Notes
Last month in this space, H. Rutgers (self-unmasked in the Web version as faculty member Gary Roth) described the increasing profiteering of top university figures at his namesake school while lower-level professors and students foot the bill.