Lucìa Hinojosa (1987) is an artist working with mixed media, video, and installation. She co-founded diSONARE magazine, a bilingual arts publication based in Mexico City. She lives and works in Mexico City and New York City.
MAR 2017 | ArtSeen
Tacita Dean’s retrospective exhibition at Museo Tamayo in Mexico City traces the artist’s career from 1986 to 2016. Showcasing large and small-scale paintings and photographs, manipulated postcards, found objects, installations, and a series of 16mm films, the exhibition is in dialogue with the architecture of the space, illuminating the artist’s perceptive sensibility of Mexico, and stressing her interest on the ephemeral—the microcosm of life.
JUNE 2015 | Art
Inside a bar in the neighborhood of Old Havana, on the corner of Tejadillo and Aguacate Street, a bartender pours out glasses of rum. The thick sound of a microphone echoes from afar, blending with the hideous sound of street drills coming from an apparent destruction, or reconstruction of the street. The bar and the bartender are, perhaps, an ode to the daily life of such a corner in the innards of Old Havana, but the rest of the elements around are perceived as action and reaction regarding social unrest, evident in the micro-scenario of this space, revealing the isolated struggles for and against freedom of speech.
SEPT 2014 | ArtSeen
Traditional notions of cultural identityonce determined by territorial borders and isolated means of communicationhave been replaced by a global commonality, affecting the development of creative strategies and disparate cultural languages.
JUL-AUG 2017 | ArtSeen
Future Library is a public artwork as well as a conceptual art piece comprising literature and time. In 2014, a thousand trees were planted in Nordmarka, a forest in Oslo. The trees will eventually become the paper for an anthology of books to be printed in a hundred years time.
NOV 2015 | ArtSeen
Transmissions: Art in Eastern Europe and Latin America 1960-1980, curated by Stuart Comer, Roxana Marcoci, and Christian Rattemeyer, with Martha Joseph and Giampaolo Bianconi, is an immersion into the peripheries of decentralized art practices that deeply questionedin a time of political upheaval and dictatorial regimeswhat artistic content and production was, and how it could situate itself in relation to its own structural, political, and cultural necessities.
DEC 14-JAN 15 | Art
Located on the outskirts of Puerto Escondido, Oaxaca, Casa Wabi is a non-profit organization offering residencies and opportunities for long-term projects for international and local artists.