Edward M. Gómez
Journalist, critic, and independent scholar EDWARD M. GÓMEZ wrote about post-World War II Japanese modern art in Le dictionnaire de la civilsation japonaise (Éditions Hazan, 1994) and contributed to Yes: Yoko Ono (Harry N. Abrams, 2000).
APR 2012 | Art Books
With her colorful wigs, bug-eyed gaze and paintings, sculptures, and clothes covered with swarms of her signature polka dots, infinity net patterns, or phallic-shaped protrusions, the Japanese-born artist Yayoi Kusama has become one of the most visible figures on todays international art scene.
APR 2011 | ArtSeen
Those are some good drinking songs, the painter Valton Tyler observes, referring to some of country musics classic, she-broke-my-heart, my-baby-left-me weepers that come streaming through his radio as he barrels down a six-lane highway amidst the urban sprawl of Garland, Texas.
JUL-AUG 2011 | ArtSeen
That modern arts textbook history has been dominated by white Western males is old news to revisionist historians who have spent the past several decades trying to make room in it for other significant contributors to that story.
DEC 10-JAN 11 | ArtSeen
Consider the lines with which Albert Camus opened The Myth of Sisyphus, his 1942 meditation on what he called the inescapable absurdity of human life: There is but one truly serious philosophical problem, he wrote, and that is suicide what is called a reason for living is also an excellent reason for dying.
FEB 2011 | ArtSeen
At the age of 80, there are few places Gillian Jagger would rather be than in the seat of a Kubota L245 or a Massey Ferguson 135, two kinds of rugged tractors that can push or pull thousands of pounds of rock, dirt, debris, or lumber as easily as a determined frat boy can lift a 140-pound keg of beer.
MAY 2011 | ArtSeen
What is it about the expressive power of abstract artespecially abstract painting, whose ambiguity of meaning is one of its most definitive characteristicsthat remains so alluring?
NOV 2011 | ArtSeen
Although Martha Wilson, who is based in New York, is best known as an alternative-museum founder, cultural activist, freedom of expression advocate, educator, and mother, she has also worked as an artist in her own right. As her recent solo exhibition at P.P.O.W. showed, through the years, her art-making and the thinking that has informed it have come a long way.