Will Fenstermaker is associate editor of the ArtSeen section of the Brooklyn Rail and digital editor at the Metropolitan Museum of Art. He holds an MFA in Art Criticism & Writing from the School of Visual Arts.
JUNE 2017 | Film
The video of Robert Godwin Sr.’s slaying remained on Facebook for over two hours before it flagged as “offensive content” and taken down.
JUL-AUG 2017 | ArtSeen
What is often named an interest in “materialism” seems to be, in fact, a desire to uphold its natural link and allow the earth itself to reduce her paintings to a base state, a process she merely expedites.
OCT 2017 | ArtSeen
As a general principle, artist-curated exhibitions can be untidy and idiosyncratic in ways that museums and the market abhor, and this can make them interesting, disorienting, dissonant—even iconoclastic in the best instances.
DEC 16-JAN 17 | Critics Page
Well, the truth is that I am. At least, I sometimes write about tech. I’m sorry I am, but it pays the bills. I’ve accepted that no one will ever pay me a month’s rent for a day spent looking at and writing about art.
JUNE 2017 | ArtSeen
One way to measure the importance of Louise Lawler and her work is to look outside the Museum of Modern Art at what is showing concurrently in the city. A number of exhibitions extend the central question of the museum’s retrospective, Why Pictures Now.
SEPT 2017 | ArtSeen
Much has been penned about the twenty-five volatile years leading to Richard Gerstl’s death in early November 1908, when the young painter hanged and stabbed himself in the heart.
OCT 2017 | Theater
On Friday, August 11, 2017, and throughout the subsequent weekend, Elle Reeve, a correspondent for VICE News Tonight, was embedded with an extremist cell that had traveled to North Carolina to attend the “Unite the Right” rally, which brought together the disparate alt-right confederacy.