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Film

Heaviosity vs. Fun

by David N. Meyer

Film

The 2009 Festival took a lot of flak for succumbing to “festivalism.” This affliction supposedly drove the Festival to choose films of a certain rigor, films lacking in fun, films that would edify us all with their high-end film-iness.

NOISE OF ART

by Tessa DeCarlo

Film

Almost a century after Marcel Duchamp’s nude headed down her staircase, contemporary art is still able to provoke surprise, anxiety, and anger—and not just in the hearts of Hilton Kramer and Rudolph Giuliani.

Thinking Contextually in the Existential Whodunit

by Sean Glass

Film

I recently wrote on Lars von Trier’s Antichrist and much of what I wondered about was the maker’s intention. Specifically, what was von Trier’s choice and what was a mistake?

Heavy on Politics, Light on Fun

by Julia Sirmons

Film

The term “consciousness raising” may rankle or alienate a contemporary audience. Perhaps it seems like a relic of a bygone age or, worse, calls to mind the worst excesses of politically correct activism.

No Shadows to Hide In

by Ethan Spigland

Film

Roy Andersson’s world is a bleak place peopled by lonely individuals who inhabit drab monochromatic rooms. Like zombies, the inhabitants trudge across the gloomy cityscape wearing pale, ghoulish makeup.