NACHTMUSIK
by Michael KelleherNoir, noir,
The night has come,
The human scale
Is tipped, the rut,
The groove, the frame
Of mind forming
Out of themselves
Themselves.
Out of the heart’s
Dark corners
A single tolling note—
Clouds drift overhead
Slow, white—
In these moving shapes
A hidden ultimatum
Moves. One looks to
And listens for, say,
A future, in which
One imagines what is
Spoken has meaning, is
Carried over, as over
A causeway to a city
About to be sacked.
Around him now
The temple starts to burn.
He is singing.
What is he singing?
He is singing.
Why is he singing?
He is singing.
From lowered eyes
A touch of malice
Twinkles. In lips’
Trifling tremors,
In cheeks’ checked
Bloom—a word,
A tone, a measure.
It might be true
The thing I hunger for
Is here in all its fullness,
Slightly obscured
And just out of reach.
Only give me
The name that
Calls it forth
To frighten and amaze
By the spectacle
Of its own privation.
The invisible sun
Within flickers still.
It burns. Let it burn.
For no one.
About the Author
Michael Kelleher is the author of To Be Sung (Blazevox, 2005), as well as the chapbooks Cuba (Phylum, 2002), Bacchanalia (Quinella, 1999) and The Necessary Elephant (Ota Molloy, 1998). His poems and essays have appeared in Slope, ecopoetics, The Poetry Project Newsletter, Kiosk, The Buffalo News, and others. He lives in Buffalo, NY, where he works as the Artistic Director of Just Buffalo Literary Center and as literary editor for Artvoice, the alternative weekly.



